Our Fall Hatch Training Intensive is right around the corner and applications are currently open for interested artists. C4 Atlanta is excited to announce our distinguished selection committee who will be choosing our next artist cohort for this program. We are excited to have the following esteemed public art professionals:
Through this concert, C4 Atlanta hopes to encourage voters to exercise their power to influence the future of the city in whatever way aligns with their personal values. In particular, C4 also wishes to recognize the efforts of the creative class to effect change in community through their voting power, organizing and artistic work.
Nse Ufot is Executive Director of the New Georgia Project and a passionate advocate for voter rights. A naturalized citizen originally born in Nigeria, Ms. Ufot grew up in Southwest Atlanta. She has witnessed the changes and fluctuations of the city and it population since her childhood. A lifelong advocate of civil, human and workers’ rights, she leads the New Georgia Project in its mission to engage and register Georgia’s eligible but unregistered African American, Latinx, and Asian American populations.
David Dreyer was elected State Representative for House District 59 in 2016. A graduate of Georgia State and Emory Universities, David is a long-time Atlanta resident. As a policymaker, David has been a vocal supporter of voter rights and voter protections.
Local favorites Little Tybee join #ActivateATL after their recent, successful U.S. tour. Known for their melodious, genre bending sounds, their music reflects the stellar musicianship of this eclectic six-piece ensemble. Their fourth, self-titled album was released in 2016 and they have shared stages around the world with artists such as Macy Gray, Of Montreal, Kurt Vile, Reptar, Sondre Lerche, Man Man, Kishi Bashi, and others.
Joining Little Tybee as co-headliner is singer-songwriter Chantae Cann. Blending the musical boundaries between jazz and soul, Cann released her solo debut album “Journey to Golden” in March 2016 after a 10+ year career as a backing vocalist and collaborator for artists such as India.Arie, Snarky Puppy, P.J. Morgan, Gramps Morton, and many others. Her highly anticipated sophomore album is due out in Fall of 2017. Both acts have a history of past support of social causes.
Doors open at 7pm on August 5, 2017, and the show starts at 8pm. Tickets are free, with an online pledge to vote or support your community. For more concert information and tickets, visit: c4atlanta.org/activate-atl
August 5, 2017
Doors at 7:00pm; Show Starts at 8:00pm
Masquerade (Hell), 50 Lower Alabama St. SE, Atlanta, GA 30308
Featuring Little Tybee and Chantae Cann.
About C4 Atlanta:
C4 Atlanta Inc. is a non-profit arts service organization whose mission is to connect arts entrepreneurs to the people, skills and tools they need to build a successful artistic career in metro Atlanta. The organization was founded in July 2010 in response to a growing need for business services for Atlanta’s arts community. C4 Atlanta fulfills this mission by offering professional practice classes for artists, fiscal sponsorship, co-working space, and more.C4 Atlanta’s program offerings are geared toward creating a new foundation of sustainability for arts and culture in the Atlanta region. For more information, visit c4atlanta.org.
About Nse Ufot:
Nse Ufot has dedicated her life and career working on various civil, human, and workers’ rights issues. As the Executive Director of the New Georgia Project, she is proud to lead the organization to its goal of strengthening the state’s democracy by registering and engaging Georgia’s eligible, but unregistered African Americans, Latinos, and Asian Americans.
Prior to joining the New Georgia Project, Ms. Ufot worked as the Assistant Executive Director for the Canadian Association of University Teachers, Canada’s largest faculty union. She also served as the Senior Lobbyist and Government Relations Officer for the American Association of University Professors. In this role, she coordinated initiatives for mobilizing members around legislation and regulations that impacted higher education and labor law.
Ms. Ufot, a proud naturalized citizen, was born in Nigeria and raised in Southwest Atlanta. She earned a Bachelor of Science from the Georgia Institute of Technology and a Juris Doctor degree from the University of Dayton School of Law. Ms. Ufot is fluent in both French and English. In her free time, she enjoys international travel, listening and playing music from the African Diaspora, and hosting house parties for close friends and family. For more information about Nse Ufot or New Georgia Project, please visit newgeorgiaproject.org.
About David Dreyer:
David was elected as State Representative for House District 59 in 2016. David was born in Ringgold, Georgia, but David’s family moved to Roswell where David started middle school. David graduated from Georgia State where he was involved in various student groups, including founding the Young Democrats and working with an environmental and homeless advocacy group. David received the student leadership award from his graduating class. After attending Georgia State, David graduated from Emory Law, where he remained committed to public service, serving as student body president and working on several campaigns.
One focus of David’s studies was constitutional law and voter protection, areas that remain in the forefront of his career. David was admitted to the State Bar in 2004, and David is an attorney with Penn Law Group, representing individuals and companies in courts throughout Georgia. David married Melissa in 2006, and they have two boys, Henry and Leo. David and his family place a strong value on community service and enjoy volunteering and helping neighbors.
David serves on the Higher Education, Science and Technology and Civil Judiciary Committees. for more information about David Dreyer, visit dreyerforgeorgia.com
About Little Tybee:
Little Tybee is a 6 piece band based in Atlanta, GA whose music has been described as genre bending and refreshing to both veteran and exploring ears. The core of each of their songs begins in the relentless and creative mind of vocalist/guitarist/pianist Brock Scott. The songs mature through the dedicated musicianship of 8-string guitarist Josh Martin, violinist Nirvana Kelly, bassist Ryan Donald, keyboardist Chris Case and percussionist Dallas Dawson. Little Tybee isn’t afraid to experiment freely, even dangerously at times, to follow a musical idea to its ultimate end. This mentality has led the group to explore music that transcends genre and packs a much bigger punch than their modest title implies. Over the past few years they have had the pleasure of sharing the stage with Of Montreal, Kurt Vile, Here We Go Magic, Rising Appalachia, Macy Gray, Reptar, Sondre Lerche, Nicole Atkins, Man Man, Kishi Bashi, and a number of others. For more information about Little Tybee, visit littletybee.com
About Chantae Cann:
Chantae Cann is next premier vocalist on the rise with her debut album “Journey to Golden” that released March 2016 at #1 on the iTunes Jazz Charts and #7 on the Jazz Billboard Charts.
Her vocal delivery is soothing, sultry and more than just soulful, it’s soul fulfilling. Whether you find yourself listening to her live at a show or turning her up in your headphones, chances are you will have peace in your mind and a smile on your face. Chantae’s music blends the exploratory sounds of Jazz with the feel good vibes of Soul, which makes for a mixture that is quite delicious. It is her heart’s desire to simply inspire, uplift and encourage the lives of others through music.
Chantae is not a novice to the music world. She has been blessed to travel the world as a background vocalist (10+ years) with P.J. Morton, Gramps Morgan, and most notably India Arie. She’s had the tremendous honor of collaborating with artists/bands such as, Snarky Puppy, Jarrod Lawson, Jonathan McReynolds, Tony Momrelle, Jaspects, The Foreign Exchange, Zo!, Mike Hicks, Sho Baraka and Khari Cabral Simmons.
Chantae’s second album is set to release fall of 2017. For more information about Chantae Cann, visit: chantaecann.com
C4 Atlanta has launched a new podcast for our TechsmARTs program. This podcast will feature similar content to our in-person TechsmARTs meetups, which will still occur a few times a year. However, we hope that through our new podcast format we can provide a bank of relevant content that artists can access over and over again. Additionally, we want to keep you up-to-date on trends in art and technology relevant to your arts careers.
Welcome to our inaugural episode! Future podcast content will be released monthly. Click the link below to subscribe.
Adam Huttler of Fractured Atlas speaks on the Federal Communications Commission’s current stance on net neutrality, and what the future may hold for artist and arts organizations if net neutrality is eliminated.
On August 5, 2017, C4 Atlanta hosted a TechsmARTs Conversation on Digital Documentation and Storytelling. Our friends at MOCA GA graciously hosted this conversation. Speakers Kimberly Binns and Reis Birdwhistell lead presentations for artists who don’t work in documentation mediums such as film and photography on the basics of documenting work. Both artists document work for other artists in the community, including photographing performance and visual art and documentary filmaking.
Reis talked about the basic needs for photographing work or performance. In particular, he emphasized that in order to get the shot you really want, taking time to experiment with different filters, light placement and effects while shooting can help eliminate time spent editing. Including a grey card or industry standard color card in the periphery of the shot (to be edited out later) can help a printer to find the proper color for accurate reproductions. For performance, preparation is key to getting quality images. Seeing a dress rehearsal beforehand can help with informing camera placement and which scenes have the best lighting for photography. Some scenes can also be staged out for the photographer as tableaus so that you can achieve the proper look and feel in a more controlled environment outside of the performance.
Kimberly’s presentation focused primarily on representing yourself through the story you’d like to tell about your art. As an example, Kimberly showed a clip from her series Maker_ in which she documents the work of Atlanta makers and creatives. Kimberly works with the individual artist to craft the perfect narrative for their artwork and business. Watch Kim’s film of Cord Shoes and Boots artist Sarah Green. Above all, Kimberly stressed beginning with what you have and working up to larger resources as you have access to them. You can begin with your cell phone camera or rent nicer equipment from a film rental company to stay economical. Some editing software is free but is limited in its usage. Some more expensive industry standard products like Adobe Premiere Pro and Final Cut Pro have free trials and online tutorials to help users learn to use software.
You can download a PDF copy of the slide decks presented below:
One last announcement: C4 Atlanta is launching a TechsmARTs podcast! Look for our launch this Summer 2017. Upcoming topics include net neutrality, working in virtual reality, submissions for film and TV and much more. Have a topic you’d like to see us explore in a future TechsmARTs? Submit it here.
Join us on Monday, June 5, 2017 from 10:30am – 12:00pm at MOCA GA for a free conversation on Digital Documentation and Storytelling.
This presentation and discussion for artists who don’t work in traditional documentation formats. What concerns should professional artists address when photographing and presenting their work and telling the story of their arts business through their documentation? RSVP HERE.
MEET THE PRESENTERS:
Kimberly Binns is a multi-disciplinary creative currently
living and working in Atlanta, Ga. She holds a BFA from
Georgia State University and has a background in
architectural design and video production. Her most
recent exhibition of works on paper included
compositions from her “He and Me Then We, but She”
series at the Museum of Contemporary Art of Georgia
(MOCAGa) and she has also been recognized for her
photographic works. Kimberly is heavily involved in the
arts and creative community and is currently producing
an ongoing artist documentary series titled “MAKER_”.
“As an artist, I hold a personal tenet that whatever art I create is always deeply personal. It is in the sharing of this art, and my creativity, however, that I give much of myself. I believe that my work should encourage the viewer to appreciate and synthesize what they see in a manner that’s befitting to their own sensibilities.”
Reis Birdwhistell is a freelance photographer living in Atlanta, GA. His interest in photography began in high school, where he began photographing for the school newspaper and yearbook. Prior to his work as a freelancer, Reis formally worked for a Photographic Services of Atlanta. He holds an Associate’s Degree from Rochester Institute of Technology in Photography. Subjects of his photography are incredibly varied and diverse, including past presidents, neighbors’ children, jewelry, architecture and more. Reis uses a variety of equipment and techniques to create his work in both digital and film formats. Reis shares his life with his beloved wife, to whom has been married since college.
C4 Atlanta is please to announce our launch of the 2017 Member Drive.
Between now and June 30, 2017 C4 Atlanta has a goal of adding 50 new artist members to our creative family.
Through our membership program C4 Atlanta connects artists through classes and member gatherings, amplifies artistic voices through advocacy work, andfosters a thriving and healthy arts community.
C4 Atlanta memberships help keep our training classes affordable for all, and insure that we can continue to provide vital services and programs to our community.
Membership begin at only $40 for the year and include many different benefits such as access to apply to KP Bridge health insurance, discounts to C4 Atlanta classes, cross membership with Fractured Atlas and so much more. See the full list of benefits here.
Consider a membership for yourself or for a creative friend today!
Already a member of C4 Atlanta? Then help us by sharing your testimonials here.
In Atlanta, there has been a lot of interest lately in art in the public realm. What is and is not allowed in the public sphere has been brought further to the forefront as the interest in public art, political art, and performance in public space grows.
For artists confronted with these issues, Georgia Lawyers for the Arts (GLA) is a tremendous resource. If you aren’t familiar, GLA provides everything from general education on issues of relevance to artists to low/no cost legal council for artists. They are an incredible resource to the artistic community, and one that every artist should know about.
C4 Atlanta recently partnered with GLA to offer a free workshop to the arts community around First Amendment Rights when working in the public right of way. GLA Executive Director Meredith Raigins, Esq., and Director of Operations Matthew Goings, Esq. presented the free workshop at 7 Stages Theatre on May 9, 2017. The contents of the presentation are available for download in the PDF below. Additionally, we have included other helpful links for more information.
As an artist you NEED a website. All small businesses do. Not only does it serve as a place to sell your good and services, but it provides brand value to your customers. These days building a website is easier than ever, but there are some key things to consider before you begin.
Chelsea Steverson, C4 Atlanta’s Operations Manager and facilitator for Website Bootcamp, took some time this week to screenshot some of her least favorite websites, and breakdown common mistakes many small businesses make.
YOUR WEBSITE REPRESENTS YOU
Websites are an asset to your business. Everything including your social media and business cards should lead people to your website. Isn’t it important then to have a website that professionally represents what you do? This one was top on my list of least favorite sites. Simple, bland colors does not equal professionalism. Not only have they chosen to use Pantone 448C, voted the most offensive color in the world, they don’t even have a logo. Simple choices like color and logos are key in helping customers trust and identify your brand.
DESIGN WITH YOUR CUSTOMER IN MIND
You can be the BEST at what you do. You can win all the awards, and even be certified in your field. But when it comes to your website shouldn’t it be about your customer or client’s needs? This website was clearly designed with the optometrist in mind, not the customer. The entire first page is dedicated to his practice, and doesn’t provide clear, solid navigational options for customers to take action. Really think about what you want your customer to do when they come to your site. In this case, I’m sure this Eye Care business wants to be booking patients and providing eye care services. So why is the main page of this website dedicated to something different?
MAKE PRODUCT NAVIGATION & TRANSACTIONS AS EASY AS POSSIBLE
If the main purpose of your website is to sell a product… you need to have images of your product. Not only are there no images, but there is no hierarchy of information, no buttons, and tiny text. People don’t buy things they can’t see. This is especially true for the creative sector. The customer has to really know what they want before they ever arrive on this website. This puts potential new customers in a place where exploring these leather goods is not intuitive and makes purchasing difficult. The more difficult browsing and purchasing is the less likely customers are to actually complete the transaction.
DON’T TELL US ABOUT PRODUCT, SHOW US
Wow. Just wow. This Web Solutions company provides lots of text about what they do and how well they do it, but I don’t see any links or images to websites they have actually designed. Without other examples all the customer has to go on is their current website, and I wouldn’t pay to have my business website look like this. Would you?
YOUR WEBSITE SHOULD REINFORCE YOUR BRAND & PRODUCT
There are so many things wrong here, so lets just stick with the basics. I’m sure you’ve heard that a professional looking website provides your business with the first chance at make a good impression on a customer. What impression is Ling making? Truth be told, this is a pretty infamous website because of the purposeful, careless design. Either way, I wouldn’t be caught dead buying a car from Ling. From the Lisa Frank-ish background to the disturbing GIFs, I question the legitimacy of this business. The whole site feels like a joke. I don’t know about you, but the last time I bought a car it was pretty serious business. Not to mention that Ling felt the need to reiterate how trustworthy he is… kind of makes me not trust him. If Ling’s cars are really that great then he should consider customer testimonials/reviews as a way share this knowledge and build brand loyalty.
Are you in need of a website? Maybe you have one, but it needs major updates. Then join C4 Atlanta for Website Bootcamp, Tuesdays May 16th – May 30th from 10:30am to 1:30pm at Fuse Arts Center.
Website Bootcamp is a three-week, hands-on workshop for artists and arts administrators who want to learn how to quickly build a website.
Join us on Monday, April 24, 2017 from 10:30am – 12:00pm for a free conversation on Arts Journalism in the Digital Age.
We will discuss how the content, style and distribution of arts journalism and artistic critique changed as choices for journalistic consumption have increased. RSVP HERE.
MEET THE PANELIST:
Meredith Kooi is a visual and performance artist, critic, curator, and educator based in ATL. Using research-based and process-based practices, Kooi engages radio broadcast, performance, drawing, mapping, writing, book-making and zines, video, photography, and installation to illuminate the embodied nature of the electromagnetic spectrum. In recent years, Meredith has been working collaboratively, connecting with others in conversations, oftentimes broadcasting those dialogues on air. She is an artist-in-residence with The Creatives Project (2015-17), a Wave Farm Transmission Artist, Hambidge Fellow, and recipient of Atlanta’s Office of Cultural Affairs Emerging Artist Award (2014-15).
Her art and culture criticism has been published in ART PAPERS, ArtsATL, ArtSlant, Bad At Sports, BURNAWAY, Dilettante Army, Temporary Art Review, Wussy, and soon to be Number. In 2014 she started the curatorial platform ALTERED MEANS, and from 2011-2016 she was editor and assistant director of Radius, an experimental curatorial platform based in Chicago.
Meredith is currently working on her PhD at Emory University in the Graduate Institute of the Liberal Arts, received her MA in Visual and Critical Studies from the School of the Art Institute of Chicago (2011), and earned her BA in Environmental Studies from Denison University (2007).
Floyd Hall is a cultural producer, storyteller, writer and documentarian from Atlanta, Georgia. His professional work often relates to the intersection of media and technology as platforms to bring cultures together and make the world a more fulfilling place. As an artist he is interested in the process of how we come to define and design ourselves, and is passionate about how history, culture and art blend together to construct narratives of place.
He has worked across the media spectrum in a variety of roles and capacities, including strategy, research and production; his current and past work spans several industries, including Gaming Retail, Brand Management, Nonprofit Arts, Social Change, Sporting Goods, Sports Media and Luxury Lifestyle.
Floyd counts the experiences of his Intown Atlanta upbringing, childhood summers spent in Augusta, Georgia and living in New York City as an adult as the primary influences on his life. Time spent in these locations gave him moments of clarity and insight about regional perspectives, the immigrant experience, how spaces influence patterns of life, and the imagination and ingenuity of different cultures.
Floyd is passionate about the STEAM (Science, Technology, Engineering, the Arts & Mathematics) disciplines and holds a BS in Mathematics from Morehouse College, a BS in Mechanical Engineering from Georgia Institute of Technology (Georgia Tech) and an MBA from Columbia University’s Graduate School of Business.
He has supplementary training in Radio & Television Broadcasting, is a Hambidge Center Creative Residency Fellow and has presented as a guest lecturer at Savannah College of Art and Design (SCAD), Spelman College, Spelman College Musuem of Fine Art, the Hudgens Center for Art and Learning and is a media contributor to ArtsATL and Americans for the Arts.
He has produced over 700 podcast episodes covering Art, Pop Culture, Fashion, Sports, and Technology, and has worked with several arts-related organizations in the Atlanta area, including Woodruff Arts Center/High Museum, Flux Projects, ArtsATL, Spelman College Museum of Fine Art and WonderRoot.
Laura Relyea is Executive Editor of ArtsATL. Her book, All Glitter, Everything, a collection of flash prose, was released by Deer Bear Wolf in March 2015. A portion of the book was included in the 2015 &Now Experimental Fiction Anthology, released biennially by the University of Notre Dame. Her essays, reviews, poems, and features have been published in The Bitter Southerner, Thought Catalog, Monkey Bicycle, Necessary Fiction, and elsewhere. Her book criticism has been published in PASTE, Fanzine, and Vouched Books. She was previously the Managing Editor of Scoutmob, and the Editor & Chief of Vouched Books. Relyea received a BA in Telecommunications and Creative Writing from Ball State University.
Victoria Camblin is a writer, editor, art historian, and curator of public programming. She is the Editor and Artistic Director of ART PAPERS, a 38 year-old arts magazine and non-profit based in Atlanta, Georgia. From 2006-2013, she was Editor of 032c, a Berlin-based contemporary culture magazine, where she remains on the editorial board. Her writing has appeared in such publications as Artforum and Texte zur Kunst, in addition to a number of exhibition catalogues and artists’ books, and she has organized and contributed to public programming and exhibitions in Europe, in the Middle East, and in the southeastern United States. Camblin attended Columbia University in New York and the University of Cambridge (UK). She is a recipient of DAAD and Rauschenberg fellowships, and was the 2009-2012 Leslie Wilson Major Scholar at Magdalene College, Cambridge.
Stephanie Cash has been the Editor of BURNAWAY since November 2013. She was an editor at Art in America magazine in New York from 1993 to 2012. At BURNAWAY, she is responsible for all editorial content for the website and print editions, and for producing the Atlanta Art Guide, a free guide and map of current exhibitions and venues in the city. She also manages the Art Writers Mentorship Program, now in its third year.
Atlanta has a strong and growing creative economy. Everyday, we meet women who are on the ground working to break down barriers, build community, inspire, inform, and entertain the people of Atlanta through the arts.
For National Women’s History Month in March, C4 Atlanta will be curating a Leading Lady blog series celebrating the women in the creative economy of Greater Atlanta. Over the last several weeks, we have asked the public to nominate women in the creative sector who inspire and have positively impacted the Atlanta community through their contributions.
We are proud to introduce the final next Leading Lady for March 2017: Stephanie Kong
Where do you work and what do you do?
As the WonderRoot Programs Director, I am responsible and accountable for the design and management of educational, artistic, and public programs which fulfill the mission and vision of WonderRoot. As a senior member of staff, I champion strategic plan initiatives focused on the systematic integration of arts and activism into programs, the evaluation of the social and financial impact of programs, and the management of program staff. I develop indicators of success and program assessment plans, recommend new programs, and oversee the fulfillment of grant commitments. I graduated from the Arts Leaders of Metro Atlanta in 2016 and participated on the review committee for the 2017 cohort. I currently participate in the Georgia Council for Nonprofits’ Momentum Program and the Blank Foundation’s inaugural Audience Building Roundtable cohort. I also oversee a fiscally-sponsored project, the Humble Telescopes, with my partner.
When and how did you first become interested in the arts? How long have you been in your line of work?
I have always been interested in arts. My mother invited her brother from Seoul to live with us in America, start a new life, and to help her raise me and my sister. He is a calligrapher and painter, and he filled our tiny apartments with his illustrations and paintings. My mother was a photographer, but she focused on it as a hobby rather than a craft. Her profession as a pharmacist created greater opportunities for her in this country.
Art always has a home in my life. I write short stories and obsessively take photos. I use art as a means of expression and release, and it has been a very private practice. I use photography as a way to document present histories. Being a child of an immigrant from a war-torn country, we do not hold many records that recount who is in our family. I am an emotional hoarder, and I use photos as a means of archiving my life and the context and complexities of the world that continue to shape me.
I have been in arts nonprofit work for almost two years, but I have always had art integrated into my professional life. I hold a Bachelors in Social Work and pursued Art Therapy. I graduated during the recession so I turned to progressive educational pedagogy and integrated arts as the bloodline of that approach.
What did you want to be or think you were going to be when you grew up?
I (still) want to be a cartoon voice actor, photographer for National Geographics, and a movie director. I thought I’d be the next Steven Spielberg after I watched Jurassic Park.
If you could have lunch with any woman from history who would it be and what would you want to talk about?
I’d rather have a potluck or dinner party like Judy Chicago’s Dinner Party, and everyone has a plus 1 including Nina Simone, bell hooks, Angela Davis, Asata Shakur, Rebecca Solnit, Yayoi Kasuma, Camilla Paglia, Pussy Riot, Lauryn Hill, Erykah Badu, and Patti Smith. We’d talk about what I talk about with my friends- our relationships with ourselves, our bodies, our lovers, nature, the state of politics, travelling, food, and cats.
Who has been the biggest influence in your life?
Obviously my mom has had the most direct influence on my life. Perhaps Confucius. Apparently I come from his lineage, and the Korean culture is heavily influenced by his philosophy. There are aspects that I do and do not agree with, and I do not prescribe myself to the constraints of some of the values, however, I also view some of them as utterly beautiful.
How is art a passion for you?
Art is a form of storytelling. It is a mean of archiving emotions and events.
What are your thoughts on equality and the representation of women in the creative workforce?
The rise of women is the rise of the nation.
What most excites you about the arts in Atlanta?
The artists and their passions. I love being with artists when they are fully present and cooking or creating or walking and intentional about each action they take. I love doing that.
What do you hope to contribute to the Atlanta arts community with the work you do?