Tag: Emily Hall Tremaine Foundation

Fireside Chats: Artists Thrive!

C4 Atlanta’s work has always been focused on the needs of the arts worker to carve out a career in Atlanta. Beyond skill and talent, there is a lot necessary to sustain a career as an artist, arts technician or administrator. Our scope of service has been based on providing a platform accessible to any artist of skills, resources, and tools for professional development regardless of educational level, previous experience, discipline or demographics.

This is a constant conversation in our office: what do artists need, and how are they receiving it (or not receiving it) in Atlanta? Recently, we’ve been focused on the way that our organization is able to connect artists to causes, issues and resources. Our advocacy efforts over the last year focused on the Presidential and Local elections have centered on providing more connectivity and access between our community to policy makers and the community systems that influence how, where, and why we are able to work. As we’ve worked over the last year on this specific initiative, we’ve seen how this work has been beneficial to artists in other, unexpected ways. We’ve seen culture workers who would not know each other otherwise as collaborators and activists for causes and visions of change.

We’d like to continue and incubate these connections to grow and flourish, without agenda or expectation that we are “here to get it done” – in an hour and a half. While we always wish to move the needle toward goals and ideals that can help the creatives in this city have stronger careers, sometimes, idea sharing, a chance at greater understanding and place to congregate is the most important tool we could provide. In this way, our goal is to provide the tools and get out of the way to allow artists to organically utilize them in a way that is most beneficial to their own goals.

With this in mind, we present our newest initiative: Fireside Chats. Fireside Chats are essentially a series of conversations, lead by the issues identified by artists as most important and in need of discussion. Our goal here is not to promise problem solving – though if consensus was reached or an action agreed upon, great. Rather, we are focusing on curating a space where artists can talk about things that they care about or that affect them, learn and share with other artists and have a space to meet one another. We plan to hold these conversations monthly in our space. And while we don’t promise to solve all of our issues in an hour and a half, we do promise to provide snacks!

C4 Atlanta held the first of these conversations on Tuesday, October 24, 2017. Our future goal is to theme the discussions based on topics chosen by attendees at previous Fireside Chats. But for this first conversation, we decided to focus on a national initiative for organizations that work with artists to measure whether their operations help artists to flourish or quit: Artists Thrive.

Artists Thrive includes a website with a rubric measurement tool of both artists and organizations that work with artists. Visit artiststhrive.org to learn more.

Artists Thrive is a national initiative, organized by the Emily Hall Tremaine Foundation, researched and crafted by a leadership team from across the United States. C4 Atlanta’s own Executive Director was part of the leadership team and recently helped with an unveiling of these tools and resources at a summit in Berea, Kentucky this fall.

At the Fireside Chat, Jessyca Holland shared the goals of the leadership team and invited participating artists and arts workers to share their thoughts about what needs they had and their impression of the Artists Thrive tools.

Before we showed local artists the tool, we asked, “what do you need in Atlanta to thrive”? Here is what they said:

  • Time – artists need collaborating entities to understand how much time in really takes for the production of art. This is not a time-management issue. It is a communication issue between artist and contractor/patron/employer. Artists need time for the full cycle of creation and production.
  • Money – we got into a discussion about value and price but the conversation seemed to center around the need for money to support (once again) the full cycle of creation and production–not just output. For example: grants that fund process as well as product (yes, we know that word but language is hard).
  • Fair wage for fair time.
  • Vocabulary to be able to express fair value.
  • Transparency.
  • Relationship building opportunities.
  • Peer networks.
  • Shared vision with those who work with artists. An understanding of expectations.
  • Capacity resources.
  • Greater tolerance for risk – allow artists to create interesting work that pushes thought and/or boundaries. An environment that fosters innovation and new works.
  • More supporters.
Artists thrive
Artists discuss fair wage, time, and other resources they need to thrive.

We also asked artists about topics they would like to discuss at future fireside chats. Here’s what they said:

  • Artists & Developers – space
  • Artists as tools of gentrification
  • Artists at the table
  • Artists as freelancers
  • Entertainment vs. design vs. fine art vs. folk art
  • Tangible value vs. intangible value
  • Art as a public good. Is art for everyone?

What else? Email us at actionteam@c4atlanta.org with your ideas!

Fall 2017 Hatch Training Intensive Artists Announced

Art by Bethany Pelle - The Good Feelings. Site specific installation of over 1,500 slip cast porcelain flowers created as part of the East Row Garden Walk in Newport, KY. Photo by Bethany Pelle.
Art by Bethany Pelle – The Good Feelings. Site specific installation of over 1,500 slip cast porcelain flowers created as part of the East Row Garden Walk in Newport, KY. Photo by Bethany Pelle.

C4 Atlanta is proud to announce the twelve artists selected into the Hatch Training Intensive for Fall 2017. This will be the fourth cohort of artists that have participated in the Hatch Program since it was started in 2015. Over the next four months these artists will learn skills for creating art projects with community, with a final culminating public presentation on December 16, 2017.

The Hatch Training Intensive was established as a training program through C4 Atlanta in October 2015 with the generous support of the Emily Hall Tremaine Foundation. The course is a result of three years of collaboration, research and curriculum development with both national and local experts in the field of community driven art projects. The purpose of the program is to address the skills needs of artists working in a variety of community contexts. The artists work independently and in groups to build skills for a variety of different community work. While many of the artists who participate are already active in community projects, others seek out the program in order to gain the skills and vocabulary necessary for more specialized work such as urban development or planning projects.

Art by Tiffany LaTrice - In Memory of Mary Turner. In Memory of Mary Turner is a tribute to the life of Mary Turner and other women subjected to mob violence and<br />
Art by Tiffany LaTrice – In Memory of Mary Turner. In Memory of Mary Turner is a tribute to the life of Mary Turner and other women subjected to mob violence and lynching during Jim Crow South. Photo by Sarah Gormley.

A major program focus is building “soft” skills in cultural organizing, understanding and establishing identity, identifying key community stakeholders, and working with community in ways that are sustainable for both artists and community members. In addition, one thing that makes the Hatch Training Intensive unique from other community art programs is that it also emphasizes important career development skills necessary to do social and civic practice work, including working with city planners, applying for RFPs/RFQs, negotiation and budgeting.

“Through this training program, we hope to provide greater access to resources for artists doing community work,” said Executive Director Jessyca Holland. “We’re incredibly proud of the work our past Hatch artists are doing around Atlanta, regionally, and even internationally. ”

Star Taker. Lead Artist - Alison Hamil, with a team of 4 other student artist. Located in Argostoli, Kefalonia, Greece, the mural references celestial navigation in Ancient Greece.
Star Taker. Lead Artist – Alison Hamil, with a team of 4 other student artists. Located in Argostoli, Kefalonia, Greece, the mural references celestial navigation in Ancient Greece.

“We want to make sure that not only do the artists benefit from the training, but that they also benefit from working with each other so closely, ” said Education Manager Audrey Gámez. “There is a lot of hands-on group work in this program, which helps with developing skills for collaboration and broadens the participants’ artistic networks.”

Selection of artists for this cohort was made by an independent committee of public art professionals who work directly with artists. The committee included Katherine Dirga of MARTA Artbound, Brandon Jones of WonderRoot, and Josh Phillipson of the Atlanta Regional Commission.

Artists selected to the Spring 2017 Hatch Training Intensive include:

Artist Angela Bortone. Photo by Haylee Anne
Photo by Haylee Anne

Angela Bortone – Painter, Video Artist, Arts Critic

Angela Bortone is a painter, video artist and freelance art critic. She mixes other people’s voices into her paintings and videos. Born in the Dominican Republic, Bortone was raised in Brooklyn and spent nearly a decade abroad in Germany before moving to Atlanta in 2002. She earned a BFA in studio art with a concentration in drawing, painting and printmaking from Georgia State University in 2010.

 

Artist Sally EppsteinSally Eppstein – Sculptor, Visual Artist

Sally was raised in Augusta, Georgia but her first real education was moving to New York City and going to school at the Fashion Institute of Technology.  Living in the city and being exposed to so much diversity with all the different nationalities and so many art museums was a huge part of her education. She majored in jewelry where she did both design and studio work.  After Sally completed the associate program, she moved back to her hometown to complete her B.F.A. at Augusta College (now Augusta State University).

After receiving her B.F.A, Sally taught art for 10 years to kindergartners through high school students in both public and private schools. While teaching she continued her art practice by selling jewelry and paintings throughout the southeast.

The biggest influence in Sally’s art has always been nature. Her latest series of paintings has focused on different feathers of song birds, birds of prey, and waterfowl. As part of her Artist-in-residence at the Blue Heron Nature Preserve she made an eight foot tall stainless steel feather sculpture. Sally sees feathers as being so fragile just as she sees our environment which has inspired her to be come a big tree activist.

Sally was inspired to start to do sculpture when she saw the Art on the Beltline and it is amazing how many skills that she had learned from her jewelry training have translated for her large totems.

Other achievements are getting into Vermont Studio Center, being awarded the first Artist-in-residence at the Blue Heron Nature Preserve, being awarded an Emerging Artist Award for the Gasparilla Festival in Tampa, FL and being a part of Art Leaders of Metro Atlanta with Atlanta Regional Commission 2016.

Artist Bria Goeller

Bria Goeller – Visual Artist, Sound Artist, Designer, Writer

Bria Goeller is passionate about art and social change. Bria works in a multitude of mediums including photography, film, 2D visual art, sound art, graphic design, creative writing and illustration/comics. Already a leader in her own right, Bria has been the Director of Design & Technology for TEDxEmory,  Executive VP of Phi Eta Sigma Honor Society, Executive Board Member for the Homeless Outreach Awareness Project, Founding Member and Design Chair of MR.MA’AM: Emory’s Queer Literary and Art Journal, and Genre and Visual Arts Editor for The Pulse Anthology. Bria is currently a student at Emory University studying English/Creative Writing and Interdisciplinary Studies.

Culinary Artist and Stylist S. Promised Gourdet.S. Promised Gourdet – Culinary Arts, Photographer, Stylist

Promised Land Kitchen explores the intersection of food, imagination, taste and community. Promised has partnered with community gardens, local food purveyors and food justice advocates in the fight for food sovereignty in under-served communities in metro Atlanta. She strives to address the urgency in addressing malnutrition and food insecurity in our communities, and the link between dietary habits and overall health and wellness.

Theatre Artist Rachel Graf Evans. Photo by Hoberman Studios.
Photo by Hoberman Studios.

Rachel Graf Evans – Theatre Artist, Composer

Rachel Graf Evans is a writer and theatre artist most interested in the telling of forgotten and silenced stories.

Rachel Graf Evans grew up in in Baltimore, Jerusalem, and Jakarta, before attending Quaker boarding school in Westtown, PA. After one year in the musical theatre performance training program at NYU – CAP21, she transferred to Oberlin College. She graduated from Oberlin with High Honors BA in Gender, Sexuality, and Feminist Studies, as well as a BA in theatre, for the writing and composition of Vessel: A New Musical. RGE currently serves as the Dramatists Guild Regional Young Ambassador for Atlanta, is a member of Working Title Playwrights, and recently completed a Playwright Apprenticeship at Horizon Theatre Company. Her work can be read on the New Play Exchange.

Prior to Atlanta, RGE spent four years in NYC working in various capacities (including as playwright, producer, props designer, and/or performer) with New Georges, LCT3 at Lincoln Center, PowerOutNYC, Hot Pepper Theatre, York Theatre Company, Fresh Fruit Festival and Theatre for the New City’s Dream Up Festival.

She is an Associate Member of the NYC women’s barbershop chorus Sirens of Gotham.

AArtist Alison Hamil.lison Hamil – Visual Artist, Graphic Designer

Alison Hamil’s creative spark began at an early age. As a child, she was constantly building, sculpting, making, and creating. She fondly remembers doing imaginative things like constructing a robot entirely out of recycled materials on a whim, and holding an art show at a pop-up gallery in her parents’ garage. Throughout her childhood, she won several art contests, and decided to be a cartoonist in fourth grade. That didn’t quite pan out, but she wasn’t far off.

In high school, Alison realized that she was the only student not using ceramics class as an excuse to slack off, so she decided to pursue formal training and a career in art. She earned a Bachelor of Fine Arts degree from Georgia State University with a concentration in Drawing and Painting in 2010. She also studied the art of graphic design while she was in school, and now specializes in using what she’s learned to bridge the gap between technology and traditional drawing and painting.

Currently, Alison is a working artist in her hometown of Atlanta, Georgia. She has a diverse body of work including murals, sign painting, graphic design, paintings on paper, and drawings. Most of her work incorporates bold colors, patterns, symmetry, and bright colors.

Alison has been awarded several scholarships, and was named Best Emerging Visual Artist in Creative Loafing’s Best of Atlanta 2013. Although she is based in Atlanta, Georgia, she has painted murals in various places across the globe including Nicoya, Costa Rica, and Kefalonia, Greece, and several various towns throughout North Carolina. She has exhibited in Kibbee Gallery, Mason Murer Gallery, The Granite Room, MOCA GA, MINT Gallery and Gallery 1526, and she has been included in several art showcases in Atlanta, including the 2013-15 and 2017 Hambidge Art Auction and Performance Gala.

Plant Artist Erin Hayes.Erin Hayes – Plant Artist

After returning to Atlanta from teaching in international schools in the United Arab Emirates and Brazil, Erin Hayes found herself back in her hometown of College Park, Georgia eager to get involved in the revitalization efforts taking place around Atlanta. As a third generation educator, Erin has long realized the role that education plays in one’s life. Hailing from a long line of gardeners, Erin brings her varied interests in city development, education and horticulture as well as her experiences from living abroad to the forefront of her work. After the passing of a dear friend in March of 2017, Erin began to seek ways to honor his legacy by bringing city-dwellers closer to their natural world. She conceived the idea of combining enterprise, urban farming and horticulture along with education to address the accessibility gaps that largely affect young men and women in her community.

CArtist Christopher Jones.hristopher Jones – Graphic Designer, Visual Artist

Christopher Jones is the founder of SeeJones Creative, LLC, a creative services firm that helps mission-driven organizations and visionary leaders expand their reach through impactful visual communications. Notable projects include: a community mural in the Castleberry Hill neighborhood; helping a local co-working space to build a sense of community within its space through incorporating hand-drawn chalk murals on its walls; developing brand identity and marketing collateral for several non- and for-profit entities.

Christopher earned a BFA in graphic design from The University of Tennessee and an MBA in Marketing from Lincoln Memorial University. His career path has revolved around serving in leadership roles and providing corporate communications for non-profits. Chris feels that because of his background in service to his community, he understands the challenges that the organizations that he works with have faced.

Artist Krista Jones.

Krista Jones (“Jonesy”) – Graphic Designer, Illustrator, Muralist

Jonesy is an Atlanta based Graphic Designer, Illustrator and Muralist. She has over a decade of professional graphic design experience and provides services in print advertising and design, logos, branding, illustration, hand-painted signage, residential and commercial murals. Her public art can be seen in Decatur and Avondale Estates and her illustrations in local shops around Atlanta. She is a published designer, writer and illustrator. Jonesy’s artwork has been featured multiple times on the cover of Aquarius Magazine. Some of her clients include: Atlanta BeltLine, Unscripted Way, Sustainable Wellness, Aquarius Magazine, Brandshake Creative, Precision Performance Atlanta, Expression Chiropractic, Virtually Staging Properties, Lake Claire Community Land Trust and City of Atlanta Mayor’s Office of Cultural Affairs.

Artist, Curator and Arts Administrator Tiffany LaTrice.Tiffany LaTrice – Visual Artist, Curator, Arts Administrator

Tiffany Latrice is an Atlanta based visual artist, curator and arts administrato. In her work, she seeks to understand the psychology of human emotion through the female body. The female body is used as a means to unveil the variety of emotions, especially the emotions that are hidden deep within a woman. She has always been passionate about women’s stories and how she depicts those stories on canvas. With a degree in international relations with a concentration in gender, culture, and global society from the University of Southern California and a masters in women’s history from Sarah Lawrence College, her art is a feminist statement that seeks to combat androcentric world views of women’s role in society. Through her compositions and texture, she tells the story of marginalized voices and systematic oppression. By the use of bold colors and vivid brush strokes, she moves women from marginalized spaces to spaces of power and agency. She combats objectification and commodification by allowing the viewer to undergo a journey through the elaborate imagery that she depicts on the canvas.

Tiffany is the Founder and Executive Director of TILA Studios, a visual arts incubator, co-working and shared gallery space serving female visuals artists in Metro Atlanta area. Located in East Point, GA, TILA Studios strives to be a place where women can work, collaborate, and exhibit to create a more inclusive art industry where women’s voices are heard and recognized.

Actor and Artist L S LewisL S Lewis – Sculptor, Fabricator, Writer, Actor, Comedian

Working in mixed media to accurately express the emotional language that underlies current events, L S Lewis’ work captures human processes in various struggles in a relatable and often humorous manner. L S has participated in several group gallery shows and has independently undertaken public installations. She resides in Atlanta, GA.

 

Ceramic Artist and Educator Bethany Pelle.Bethany Pelle – Ceramicist, Arts Educator

Bethany Pelle is an artist, craftsperson, and educator with over four years teaching experience at the university level. Bethany has twelve years of technical experience in support of academic, commercial and private ceramics studios. She is an ardent supporter of greater inclusivity, equality, and social justice. Bethany is currently an Adjunct Professor at Northern Kentucky University. Bethany brings a breadth of perspective and connections to the diverse art communities in Miami, Atlanta, Philadelphia, and New York.

The selected artists will present their final public presentation on December 16, 2017 from 2-4pm at Fuse Arts Center. Hatch artists will present group projects that represent hypothetical community scenarios which they may encounter as part of their work. Though the prompts are hypothetical, all are based on actual RFPs or Calls for Artists. These projects allow the artist to exercise skills learned in Hatch without fear of harm to themselves or an actual community during the learning process. More information and RSVP for the final presentations will be available online at c4atlanta.org/training at a later date.

For more information about the Hatch Training Intensive, please visit c4atlanta.org/hatch.

Introducing Hatch – A New C4 Training Program

C4 Atlanta, a nonprofit incubator for artists and arts organizations, has been awarded a two-year, $100,000 grant from the Emily Hall Tremaine Foundation (EHTF) in support of its Ignite and Hatch professional development programs for artists. The grant to C4 Atlanta is under EHTF’s Marketplace Empowerment for Artists (MEA) program.

The money will go toward our current Ignite, business planning class for artists AND it will also fund Hatch.

What is Hatch, you ask?

Hatch is a new program designed for artists working in community. Under the program, participants will learn the legal, financial and “soft” skills necessary to effectively lead community-based art projects. Hatch will connect artists to vital information about how to approach collaborative projects outside a traditional studio practice. The first Hatch cohort, to begin in October, will serve as a pilot offering.

C4 has been working on building partnerships and designing the Hatch framework for a few years now. The funding from Tremaine will allow us to design Hatch, pilot the program with working artists, and implement. Our primary purpose as an organization is to connect artists to the resources and skills they need to be successful. Hatch will not focus on the creation of art; rather, the program will cover the ‘behind-the-scenes’ functions of working in community.

The Emily Hall Tremaine Foundation is proud to support C4 Atlanta’s ongoing mission to provide affordable and quality professional practice education to Atlanta’s artists. Expanding on the success of Ignite, C4’s new program, Hatch, will further their mission by supporting artists working beyond the studio and the business marketplace.  Hatch will provide the foundational support of knowledge and resources crucial for success of community-driven work.  C4’s history of fostering artists careers is ideally suited to create and launch this new program that has the potential to influence and support artists not only in Atlanta, but all across the country.

– Heather Pontonio, Art Program Director, Emily Hall Tremaine Foundation

C4 Atlanta will work with both local and national collaborators on the curriculum design of Hatch. Among the collaborators:

  • Emily Hopkins, Consultant and Executive Director, Side Street Projects in Pasadena, CA
  • Heather Alhadeff, President, Center Forward, an Atlanta based transportation and land-use planning firm
  • Jim Grace, Attorney and Executive Director of the Arts and Business Council of Greater Boston
  • McKenzie Wren, a community arts consultant and Executive Director of Clarkston Community Center

Eddie Granderson, Program Manager of Public Art Services at the Atlanta Mayor’s Office of Cultural Affairs is also serving as an advisor.