We are eagerly awaiting selection of our next Hatch cohort for Spring 2017!
Applications are open and ongoing. The deadline for application is January 9, 2017 at 11:59pm.
We are proud to announce our Selection Committee for the 2017 Spring Hatch Training Intensive. We know their guidance will help in selecting a cohort of diverse and passionate artists ready to work in community. Our Selection Committee is:
Saskia Benjamin – Executive Director of Art Papers
Applications for Hatch and more information about the program is available here: Hatch Application Page. For questions about this program, please email Audrey Gámez, Education Manager at firstname.lastname@example.org. Please note: All questions received after 7pm on January 6, 2017 will be answered on January 9, 2017.
In March, C4 Atlanta wrapped up a 6 month long pilot of our newest educational program, Hatch. This program is designed to help educate artists in the “soft” skills needed to perform art within a community context.
While our C4 Atlanta team is hard at work this week mapping out the final curriculum of our Hatch program (look for application details this summer), we wanted to highlight one of the pilot program graduates who has been utilizing her skills to produce artwork in the Little Five Points Community.
Lauren Pallotta is a painter, mural artist and graphic designer who’s work in community has, until recently, been mostly confined to two dimensional artwork. Through her recent project as part of Little Five Arts Alive, Lauren was given the opportunity to not only explore work in a new community but also within a new context. Here is her story in her own words:
Since 2016 began, I have promised myself to better align my actions with my aspirations. The result so far – I have become more integrated with my community through art. The kaleidoscope of my creative offerings gained new complexity when I joined the Little Five Arts Alive roster. With the encouragement of Arts Alive Curator Rachel Parish, my community mural idea evolved into urban place-making, which became “spontaneous sculpture” from upcycled materials. I was asked to make things from junk, to “set the stage” per se for the performances in the plaza. I was not in my comfort zone. So of course my answer was a bold yet shaky yes.
I’ve spent lunch hours dumpster-diving to forage for materials. William [Massey] graciously offered me advice on materials (Nothing spongy or water-catching, check. Bailing wire, check.) My plan was to be plan-less, to show up with materials and let the community be my guide. Focus on the process! On April 15, I unloaded the trashy treasures into the plaza – old electronics, computer cords, landline telephones, plastic car seats, modular shelving, CDs, garden hoses, fire extinguisher canisters, etc. – and got out some bright paint.
Then we made stuff. We made stuff with teenagers from the suburbs, train kids from “that side” of the plaza, a mother and daughter on a day out, a little girl who liked pink, a human rights canvasser on her break, passersby, tourists and locals. Ava made a peace sign with a garden hose and some blinds. Fred painted flowers on an old amplifier. We teased out the creative capacities of the community with random acts of art-making. By the end of the weekend, we had jazzed up the space to mirror Little Five itself: eclectic, vibrant and a little weird.
Creative Loafing called me a “sculptor.” I laughed. I am hardly a sculptor. But I did get to build some awesome new experiences because of the social, experimental and exploratory aspect of Little Five Arts Alive. I am incredibly grateful. It has let to new friendships, new projects and new vigor to keep living the life I have imagined.
C4 Atlanta is excited to curate this blog series for the second year in a row! We will be highlighting women’s stories on our blog and on our social media throughout the month of March and into April. This year we have expanded the project to include the stories of more women and to share a diverse range of experiences, including women nationally as well as locally. Sharing women’s triumphs challenges stereotypes within today’s society and overturns social assumptions about who women are and what women can accomplish.
With that being said, we’d love to introduce our next leading lady, Collins Goss.
Where do you work and what do you do? I work as the Development Manager for the Horizon Theatre Company. I am in charge of all of Horizon’s fundraising efforts, including the annual fund, major gifts, foundation grants, government contracts for services, and special events. I also work closely with our Board of Directors, and I do a chunk of the project management work for Horizon’s community-based projects.
What did you think you were going to be when you grew up? Honestly, I never really had a set goal. Most kids would list teacher, nurse, vet, doctor, but I never had a specific thing that I knew I wanted to do.
Who was your favorite artist/writer/performer growing up? I loved to read growing up, so most of my favorite artists were writers. I could not get enough of L.M. Montgomery’s Anne of Green Gables series as a teenager. I really, really loved classic lit like Little Women, To Kill a Mockingbird, Peter Pan, Little House on the Prairie, etc.
Who has been the biggest influence on your life? What lessons did that person teach you? I have been so lucky to have had several wonderful influencers and mentors. I had two teachers in high school who blew my world wide open: one was from South Africa and one was from Queens. They somehow ended up teaching in South Georgia where I grew up, and they exposed me to a world much larger than I had known. My biggest influences, though, are definitely my parents. In my completely unbiased opinion, they are the greatest people on earth who give and love unconditionally and who get up every day to make the world better even when it is really hard and no one says thank you. They taught (and still teach) me so many things, but “thank you” was a big one. Everyone is worthy of your attention and gratitude no matter who they are.
When and how did you first become interested in the arts? How long have you been in your line of work? I took dance lessons from preschool through high school. I wasn’t very good, but I enjoyed it and still enjoy being a dance patron. I got into theatre the way a lot of kids do: my friends in high school were in the one act play and spring musical. I wanted in on the fun too. The alternative was playing basketball or jumping hurdles, and no one wants me to do either one. Yikes. I think I started unofficially working in some aspect of arts admin in high school and just never stopped. I am still not quite sure how that happened.
How is art a passion for you? Art is something that you can enjoy all of your life, and there is always a new show, art form, or artist to discover. The ability to keep discovering is what makes art a passion for me.
What are your thoughts on equality and representation of women in the arts? I work in an office of all women, and this has been the norm in most of my jobs in arts admin. I don’t know if that is typical or not, but I think it is awesome. Working in the arts full time is not easy. The hours can be long and the days frustrating, but women get stuff done and totally defy the odds. 🙂
What in your profession has given you the greatest satisfaction or fulfillment? Looking back, what would you have done differently? What would you do again? The first thing that comes to mind is working on Theatre in the Park last summer. Horizon produced Avenue Q in Piedmont Park for a five night run in June 2015. That’s right. We produced a full scale Broadway musical outside in the middle of Atlanta in June with 28 puppets, a band, and 11 actors. Most of the tickets were given away for free, and we had more than 7700 people join us in the park that week. Moments like this are the reason I got into this business. All these people from all over the Atlanta area left their houses and Netflix to come outside, sit on a blanket, eat a picnic, and watch puppets sing about growing up and finding their purpose. Would I do it again? Heck yes.
What most excites you about the arts in Atlanta? Atlanta artists and administrators just make it happen in Atlanta, and their work is amazing. No one seems to take no for an answer, and I think that is pretty cool. There has been a lot of talk about Atlanta’s public art scene, and I am really excited to see what comes out of this. We have tons of space that could benefit from an art intervention: the Little Five Points plaza (Horizon is tackling this one starting in April, so stay tuned!), MARTA stations, and so many more.
What do you hope to contribute to the Atlanta arts community? I would really like to be a part of raising awareness of all the arts offerings in Atlanta and the impact the arts have on our communities. There are several individuals and arts organizations that are committed to advocating for the arts whether it is on the government level, among business leaders, or with individual patrons. I am really excited about an audience development project I am working on with the Atlanta Intown Theatre Partnership (AITP). AITP is made up of Horizon, 7 Stages, Actor’s Express, the Atlanta Shakespeare Tavern and Theatrical Outfit, and we are committed to pooling resources and doing things together that we could not do as individual theatres. Currently we want to raise live theatre going as a top of mind thing to do among 20-40 year olds who live/work/play along the Atlanta Beltline. We are still in the very early stages of the project, but I see tremendous potential for success.
Where can I learn more about your organizations and work (websites, social media, etc.)?
Collins Goss (Development Manager) joins the Horizon Theatre Company after working for the University of Alabama Department of Theatre and Dance. At UA Theatre & Dance, she served as the digital communications, marketing, and patron services managers throughout her three years. She has also worked for the Texas Shakespeare Festival and Rose of Athens Theatre in Athens, GA. No matter the location, audience development and communication have been the focus of her work, and she is excited to be a part of the staff and community at the Horizon Theatre. Collins completed her MFA in Theatre Management from the University of Alabama in December and has BA degrees in English and Theatre from the University of Georgia.