We are eagerly awaiting selection of our next Hatch cohort for Spring 2017!
Applications are open and ongoing. The deadline for application is January 9, 2017 at 11:59pm.
We are proud to announce our Selection Committee for the 2017 Spring Hatch Training Intensive. We know their guidance will help in selecting a cohort of diverse and passionate artists ready to work in community. Our Selection Committee is:
Saskia Benjamin – Executive Director of Art Papers
Applications for Hatch and more information about the program is available here: Hatch Application Page. For questions about this program, please email Audrey Gámez, Education Manager at firstname.lastname@example.org. Please note: All questions received after 7pm on January 6, 2017 will be answered on January 9, 2017.
In March, C4 Atlanta wrapped up a 6 month long pilot of our newest educational program, Hatch. This program is designed to help educate artists in the “soft” skills needed to perform art within a community context.
While our C4 Atlanta team is hard at work this week mapping out the final curriculum of our Hatch program (look for application details this summer), we wanted to highlight one of the pilot program graduates who has been utilizing her skills to produce artwork in the Little Five Points Community.
Lauren Pallotta is a painter, mural artist and graphic designer who’s work in community has, until recently, been mostly confined to two dimensional artwork. Through her recent project as part of Little Five Arts Alive, Lauren was given the opportunity to not only explore work in a new community but also within a new context. Here is her story in her own words:
Since 2016 began, I have promised myself to better align my actions with my aspirations. The result so far – I have become more integrated with my community through art. The kaleidoscope of my creative offerings gained new complexity when I joined the Little Five Arts Alive roster. With the encouragement of Arts Alive Curator Rachel Parish, my community mural idea evolved into urban place-making, which became “spontaneous sculpture” from upcycled materials. I was asked to make things from junk, to “set the stage” per se for the performances in the plaza. I was not in my comfort zone. So of course my answer was a bold yet shaky yes.
I’ve spent lunch hours dumpster-diving to forage for materials. William [Massey] graciously offered me advice on materials (Nothing spongy or water-catching, check. Bailing wire, check.) My plan was to be plan-less, to show up with materials and let the community be my guide. Focus on the process! On April 15, I unloaded the trashy treasures into the plaza – old electronics, computer cords, landline telephones, plastic car seats, modular shelving, CDs, garden hoses, fire extinguisher canisters, etc. – and got out some bright paint.
Then we made stuff. We made stuff with teenagers from the suburbs, train kids from “that side” of the plaza, a mother and daughter on a day out, a little girl who liked pink, a human rights canvasser on her break, passersby, tourists and locals. Ava made a peace sign with a garden hose and some blinds. Fred painted flowers on an old amplifier. We teased out the creative capacities of the community with random acts of art-making. By the end of the weekend, we had jazzed up the space to mirror Little Five itself: eclectic, vibrant and a little weird.
Creative Loafing called me a “sculptor.” I laughed. I am hardly a sculptor. But I did get to build some awesome new experiences because of the social, experimental and exploratory aspect of Little Five Arts Alive. I am incredibly grateful. It has let to new friendships, new projects and new vigor to keep living the life I have imagined.